In From the Cold review: Action filled but brainless sci-fi

Rating 2.5/5

‘In From the Cold’ is a Netflix sci-fi action series. The identity of an ex-Russian spy is revealed and now she has to complete a mission to keep her cover from blowing and keeping her daughter safe.


Mystery murders have been taking place all over Madrid. People are unexpectedly turning violent and killing people in front of everyone’s eyes. The killers claim to not remember anything later. It’s like they are being mind-controlled.

Jenny Franklin (Margarita Levieva) comes to visit Madrid as a chaperon for her daughter Rebecca’s (Lydia Fleming) ice skating world championship. They have a strained relationship because of Jenny and her ex-husband’s recent divorce.

Jenny is kidnapped from the busy streets of Madrid by the CIA. They claim that she is an ex-Russian spy, “The Whisper”. She gives away her real identity when she physically fights off all the agents. Agent Chauncey (Cillian O’Sullivan) blackmails that either she helps them with her mission or she will be behind bars as the recent murders are very similar to her style of working. Left with no choice, Jenny along with Chauncey and computer wizard, Chris (Charles Brice), go on various missions, looking for the answers behind the ruthless murders.

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Jenny has the powers of shape-shifting, camouflaging and she also heals quickly, all thanks to the serum she obtained while on a mission when she was young, during which she fell in love with one of her targets’ daughter.

The now single mother soon gets involved in a drug ring, a revolutionary group planning to assassinate the Spanish president and a mind-controlling murderer, all while her past comes to haunt her. She has to save innocent people and keep her daughter safe.


Most of the performances in this series are average. None of the actors particularly shine. But everyone is trying to make the best of the tacky dialogues.

Margarita Levieva, playing Jenny, does a decent job. She appears very unconvincing and drab as the over-protective and uncool mother in the first few episodes. She does well when she is playing a spy and is in action. Somewhere in the third episode, she does a good job playing a mother caught between her missions and being a protective mother.

Cillian O’Sullivan, as an ex-CIA agent, and Charles Brice, as the hacker, do an okay-ish job at best.

Playing the young Jenny, also known as agent Anya, Stasya Miloslavskaya looks mesmerising. She portrays the feelings of a confused and a victim of her circumstances, Anya, satisfactorily.

Lydia Fleming, as Rebecca, and Lola Mae Loughran, as her friend, Maddie, also seem skilful.


The best part of the series is the flashbacks of 90s Russia because of its aesthetics. Neon lights in the nights, old telephones, retro fashion, tungsten lighting and the pleasing colour pallets for each of these scenes make it a fun watch. It gives something to look forward to throughout the series.

These flashbacks are also the parts where the script is entertaining and engaging. It has a difficult romance between Jenny and her lover Faina. She is her target’s daughter and, well, they have a same-sex relationship in the 90s. We see Anya question her controlling mother, who is also her handler. She is a troubled kid who just wants to live her life but is stuck being a pawn for her mother’s revolutionary ambition.

Also, the dialogues are not headache-inducing in the flashbacks. But this may be because they are in Chinese and Russian and non-Chinese and non-Russian speaking people would never know the real weight of these dialogues.

Action fans will enjoy this series because every episode is packed with thrilling fighting scenes.


The dialogues are dumpster fire to put it nicely. Within the first half an hour, it’s easy to know the writer; a white old man who does not know how young people and people of other races talk. They are awkward enough to give the viewer second-hand embarrassment. Can’t imagine anyone talking like the way it’s shown in the series.

Anything and everything in the series is without an explanation. Nothing makes sense. It is brainless. What, why, who, when, where and how; good luck finding all the answers. The explanations that we do get never add up and mostly seems unreasonable.

The music often does not match the circumstances and feels out of place.

Most of the acting is pretty average or below that. At least it’s not good enough to save the script.


Give ‘In From The Cold’ a try if you wish to switch your brain off and just enjoy an espionage series that is action-packed with a hint of science fiction.

Also Read: All of Us Are Dead review: A strong horror series that is firmly grounded in reality