Revelations is a gripping Netflix thriller that weaves crime, faith, and psychological turmoil into an intense narrative.
The film follows Pastor Sung Min-chan (Ryu Jun-yeol), whose faith is tested when he crosses paths with a dangerous predator, Kwon Yang-rae.
It delves into the psyche of a pastor who believes he has received divine signs, leading him to take justice into his own hands.
The antagonist, Kwon Yang-rae, is a convicted sexual predator with a troubled past, and his crimes set off a chain of events that deeply affect both the pastor and the investigator.
Meanwhile, Inspector Yeon-hui, haunted by past trauma, races against time to rescue a missing girl.
The film masterfully blends suspense, psychological depth, and religious symbolism, making it a compelling watch.
Overview
Revelations Plot Summary
A Girl in Danger
The story begins with Shin A-yeong, a young girl being chased by Kwon Yang-rae.
She seeks refuge in a church, where Pastor Sung Min-chan is performing a small singing service.
Yang-rae follows her inside and sits behind her.
Suspicious, Pastor Sung questions him, but Yang-rae claims he is merely passing by.
Later, A-yeong encounters a woman in pain at a convenience store.
This woman, Inspector Yeon-hui, leaves immediately, but their paths will cross again.
Pastor Sung’s Ambitions and Disturbing Revelations
Pastor Sung, eager for a promotion, visits Senior Pastor Jung, who is building a new church.
Jung asks for recommendations for the new position, and his son hints at supporting Sung’s nomination.
Sung prays fervently to be chosen.
Meanwhile, Sung receives distressing news—his son has been kidnapped from daycare.
A fallen photograph of Yang-rae signals that he might be responsible.
Sung follows Yang-rae to his house and calls the police, but his phone dies.
He confronts Yang-rae, and a fight ensues.
Yang-rae falls, hitting his head on a rock and losing consciousness.
Just then, Sung’s wife calls to inform him that their son is safe—he had gone with a friend.
Thinking Yang-rae is dead, Pastor Sung flees from the scene.
Yeon-hui’s Investigation
Inspector Yeon-hui, still haunted by her sister’s suicide after failing to convict Yang-rae, learns that A-yeong has gone missing. She suspects Yang-rae.
Investigating his home, the police discover disturbing drawings of a one-eyed monster consuming people.
Yeon-hui questions Pastor Sung, who had called about his missing son.
He claims he went home after finding his child, but Yeon-hui notices his muddy shoes, hinting that he was out that night.
A Sinister Turn
Pastor Sung’s ambition is fulfilled—Senior Pastor Jung appoints him to lead the new church.
He believes this is his reward for punishing Yang-rae.
Meanwhile, Yeon-hui speaks with Yang-rae’s psychiatrist, Lee Nak-seong, who reveals that Yang-rae was abused by his stepfather for ten years, explaining his twisted psyche.
Yeon-hui holds Nak-seong responsible for her sister’s death, as he had defended Yang-rae in court, leading to a reduced sentence.
Meanwhile, Sung learns that a bleeding man—presumably Yang-rae—was taken to a hospital. He rushes to the hospital fearing Yang-rae will revel that he tried to kill him.
The Pastor’s Delusion
Sung finds Yang-rae in the hospital and sees what he believes to be a divine face in the clouds.
Interpreting this as a sign from God, he kidnaps Yang-rae.
Witnessed by an old man, Sung takes Yang-rae to a hidden location and ties him to a chair.
Convinced that he is carrying out God’s will, he beats Yang-rae, demanding the location of A-yeong.
Yang-rae claims she is still alive but will only reveal her whereabouts if Sung calls the police.
Sung refuses and continues his interrogation.
Meanwhile, Yeon-hui and the police begin to suspect him.
She tracks the tire prints of his car, leading her to the basement where he is keeping Yang-rae.
Revelations Ending Explained
The Final Confrontation
Yeon-hui discovers Yang-rae tied up in the basement and demands to know where A-yeong is.
Instead of answering, Yang-rae laughs.
Pastor Sung arrives from behind and strikes Yeon-hui with a shovel, tying her to a chair.
He insists that A-yeong is dead and that he must now carry out God’s justice.
Yeon-hui, however, believes Yang-rae and argues that if there is any chance A-yeong is alive, they must act.
Sung dismisses her, calling Yang-rae the devil.
Yeon-hui manages to break free and fights Sung.
In the struggle, Yang-rae falls from an open window to his death, uttering his final words that the one-eyed monster ate the girl.
The One-Eyed Monster
Yeon-hui and her assistant analyze Yang-rae’s disturbing drawings.
They realize the “one-eyed monster” represents an attic window from his childhood home—the same place where he was abused.
Recognizing this as his trigger, Yeon-hui rushes to a location with a circular window.
A-yeong is discovered in a collapsing building, her mouth taped shut, unable to call for help.
Yeon-hui rescues her just in time.
Pastor Sung’s Fate
Pastor Sung is arrested but remains eerily calm.
Smiling, he tells the police he acted on divine revelations.
Yeon-hui later consults Dr. Lee Nak-seong, who diagnoses Sung with apophenia—a condition where a person sees patterns and signs in random occurrences, believing everything has meaning.
Yeon-hui, still struggling with guilt, experiences visions of her sister.
Dr. Nak-seong reassures her that A-yeong’s fate was not her fault, but she remains haunted.
The Final Vision
In prison, Sung sits quietly in his cell.
He sees an image of Jesus forming on the wall. As he reaches to wipe it away, the image morphs into Satan’s face, symbolizing the dark path his delusions have led him down.
Whether this is another hallucination or a reflection of his guilt is left open to interpretation.
Therefore, Revelations is a chilling exploration of faith, justice, and psychological trauma.
Pastor Sung’s descent into religious fanaticism, Yeon-hui’s relentless pursuit of justice, and Yang-rae’s twisted psyche create a tense and thought-provoking narrative.
The film leaves viewers questioning the fine line between divine purpose and dangerous delusion, making it a standout psychological thriller.
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