In Marry My Dead Body, Lin Hsiao-yuan is a drug lord whom Ming-han’s precinct has been trying to catch. His case has ties with Mao-mao’s. Tsai Chen-nan plays Lin Hsiao-yuan.
The Gia-Gun precinct has been trying to catch Hsiao-yuan for a while now. When Tzu-ching apprehends a drug dealer named A-kou, who works for Hsiao-yuan, A-kou’s confession gives them multiple leads.
Captain Chang likes to think this can be their biggest drug bust ever if they manage to arrest Hsiao-yuan. Unfortunately, Ming-han is left out of this investigation. The curse of not accepting Mao-mao’s hand in ghost marriage gives him a demotion.
However, fate brings Ming-han back to this case. While trying to solve Mao-mao’s hit-and-run case, Ming-han learns that Hsiao-yuan’s goons were present at the location of the accident.
Footage from one of these goons’ cars reveals that it was none other than Hsiao-yuan who hit Mao-mao and killed him.
What happens to Hsiao-yuan?
Despite having two investigations on Hsiao-yuan and almost coming close to catching him twice, the Gia-Gun precinct fails. At this point, Captain Chang starts suspecting that there is a mole in the precinct working for Hsiao-yuan.
Initially, Ming-han and then Captain Chang are suspected to be the mole. In the end, Tzu-ching is revealed to be the one working for Hsiao-yuan. She has been clearing paths for Hsiao-yuan for a very long time.
However, Tzu-ching only stayed by Hsiao-yuan’s side, looking for the right time to exact her revenge. Tzu-ching’s mother passed away from a drug overdose when she was a kid. The drugs were provided by Hsiao-yuan, and Tzu-ching blamed him for her mother’s death.
Tzu-ching leaves with Hsiao-yuan’s money, and he is left behind to be arrested for killing Mao-mao and manufacturing drugs. Hsiao-yuan’s goons come to his rescue, and a fight breaks out between his goons and the cops.
In the end, Hsiao-yuan severely injures Ming-han with a gunshot. In turn, Captain Chang headshots Hsiao-yuan down, who then dies once and for all.
Also Read: Marry My Dead Body review: Balances comedy and melodrama well
