Vedant Chouksey

The Family Man season 2 review: Faster, slicker, better

June 6, 2021

Blue Miracle review: Traditional feel-good family film

May 28, 2021

Army of the Dead review: Another mediocre Snyder film

May 22, 2021

The Woman in The Window review: Disappointing neo-noir thriller

May 15, 2021

Cinema Bandi review: Heartwarming slice of life comedy

May 15, 2021

Milestone review: Ruminative study of a lonely truck driver

May 8, 2021

The Disciple review: A contemplative existential slow burn

May 1, 2021

Love and Monsters review: Predictable flick with a surprising amount of heart

April 14, 2021

Them review: A harrowing tale of race and violence

April 10, 2021

The Big Bull review: An overblown crash and burn

April 9, 2021

Joji review: A contemplative drama with stellar performances

April 8, 2021

OK Computer review: Quirky, Inventive but suffers in execution

March 28, 2021

Cherry review: Ambitious attempt that falls slightly short

March 14, 2021

Paper Lives review: A charming, heartbreaking tale set in the streets of Turkey

March 13, 2021

Sentinelle review: Bland, boring, banal thriller

March 7, 2021

WandaVision review: A refreshing revitalisation of the MCU

March 5, 2021

Moxie review: A fun but flawed coming of age film

March 4, 2021

The Girl on the Train review: Parineeti Chopra’s latest trainwreck

February 27, 2021

I Care a Lot review: A morbid, agonising, uncommon thriller

February 20, 2021

Red Dot review: A traditional thriller with nothing new to offer

February 12, 2021

Malcolm & Marie review: A drawn-out, well-acted relationship fight

February 6, 2021

Sightless review: Standard yet solid psychological thriller

January 20, 2021

Outside the Wire review: Anthony Mackie’s unimpressive misstep

January 15, 2021

Lupin review: Slick and suave start to 2021 with Omar Sy

January 10, 2021

History of Swear Words review: Nicolas Cage saves excuse for a documentary

January 5, 2021

Cobra Kai season 3 review: Predictable, pedestrian, passable

January 2, 2021

AK vs AK review: Brilliant meta experiment with some flaws

December 25, 2020

Torbaaz review: Sanjay Dutt’s latest is a tedious trainwreck

December 11, 2020

Alice in Borderland review: A grisly addition to the survival genre

December 11, 2020

Sons of the Soil review: Surprisingly unfiltered and engaging

December 6, 2020

Mank review: A scintillating look at the genius of Herman Mankiewicz

December 5, 2020

Naxalbari review: Unimpressive and obvious police drama

November 29, 2020

Chhalaang review: Ensemble cast makes tired script cross the finish line

November 15, 2020

Laxmii review: Promising premise but dreadful outcome

November 10, 2020

Paranormal review: Sufficiently spooky one-time watch

November 6, 2020

His House review: A plaintive reinvention of the haunted house genre

October 31, 2020

The Queen’s Gambit review: Anya Taylor-Joy narrowly prevents a checkmate

October 24, 2020

The Trial of the Chicago 7 review: A relevant, gripping courtroom drama

October 17, 2020

Serious Men review: Sharp, witty, unmissable

October 3, 2020

Enola Holmes Review: An elementary study of a colourful cash grab

September 23, 2020

The Devil All The Time review: A queasy trip to the 1950s

September 17, 2020

Cargo review: A revolutionary slow burner

September 9, 2020

JL50 review: A long-awaited breath of fresh air

September 5, 2020

Class of ’83 review: An absolute disaster

August 23, 2020

Project Power review: Limitless possibilities but failed execution

August 15, 2020

Gunjan Saxena – The Kargil Girl review: An inspiring story that crashes and burns by the end

August 12, 2020

Pareeksha review: A well-intentioned film marred by cliches and melodrama

August 6, 2020

Raat Akeli Hai Review: A dark and twisted film noir

August 1, 2020